Writing always evolves as it progresses: characters change eye and hair colour; names change; subplots develop; you decide the whole thing belongs in a different time period or setting. It’s tempting when you realise something needs to change to go back and correct it from the beginning of your manuscript: that way you can progress knowing that all is in order. However, there are a few problems with this approach:
1. It takes longer to nail down a first draft
A first draft has lots of energy as it’s the draft where you’re discovering the story as you write, and that gives it momentum. If you go back to correct whilst writing the first draft, it’s easy to lose that sense of excitement and the energy in your writing will fade.
2. You get fed up
If you constantly go back and edit things whilst writing the first draft, you can easily start to feel bored. This is because you’re going over the same material time and time again. If you feel bored, it’s very hard to crank out that first draft – writing becomes a chore, not a pleasure.
3. You’ll probably change your mind again
When you write a long piece, such as a novel, there are hundreds of strands you need to keep track of and ultimately tie together into a satisfying story. Change one bit, and you have to change other bits. Then if you decide actually your first idea was better, you have to go back and change it all back again. This all takes time, it’s tedious, and you’re more likely to lose patience with the whole thing and give up.
Here’s a technique that I use in my own writing which ensures I get the first draft written quickly, I keep track of all the changes I need to make, and without spending precious time going back and editing. I use a technique called writing ‘as if’. It works like this. Imagine I’m writing a novel about someone called Dora who lives in 1900. Part way through writing, I think it would be more fun if she was called Edna and lived in 1920. Obviously, I can do a ‘find and replace’ for the name change, but there are huge implications for the story in changing the time setting. Instead of going back and making all the necessary changes, I simply type in capital letters across the page:
FROM THIS POINT ON DORA = EDNA
FROM THIS POINT ON SET IN 1920
To make it stand out all the more, I often make the font larger, and colour the text in red. I then carry on writing AS IF I have gone back and made the changes. In other words, I write the rest of the piece with the character called Edna, and set in 1920, with all the implications associated with that change. I also make a note in a notebook I keep for editing purposes, describing the changes I’ve made and jotting down what I’ll need to attend to when I come to rewrite.
It means that I can keep on writing without having to stop, go back, and make changes, and it means I know where to focus when it comes to the rewrite: tackling all those notes made in my editing notebook. If I then change my mind again later on, I simply write:
FROM THIS POINT ON SET IN FRANCE
make a note in my notebook, and keep on writing, as if I’ve gone back and made the changes.
I’ve found this technique helps me to keep writing without feeling bogged down, and without worrying that I’ll miss something. By jotting all the changes down, I keep my mind clear for writing, instead of trying to hold all the changes in my head. It makes both the first draft and subsequent rewrites much smoother and faster.
Try it, and let me know how you get on!
Kim Fleet lives and works in Cheltenham. Her two cats help the creative process by standing on the delete key.