 I've been writing for a long time now, and inevitably have made many mistakes along the way. I don't mean stuff like using too many adverbs, or characters changing eye colour half-way through a story, (though I've made plenty of those mistakes, too), I mean mistakes in how I approached my writing and built on success.
So here are the things I've done that I wish I hadn't: 1. Writing a whole novel longhand I'm an old fashioned type of writer in that I find my thinking flows better when I write longhand. All my notes are written longhand, and every short story starts life as a first draft in handwriting (sometimes fountain pen, sometimes pencil, sometimes purple felt tip, depending on my mood). And every novel is planned out longhand, then I write straight onto my laptop with my notes beside me. It's a system that works for me, so what was I thinking when I decided to write a complete novel in longhand? Sheer madness. I have huge lined notebooks filled with writing, 100,000 words in total, some of which is illegible because when I write I write; the words fall over each other and come out as a scrawl. I tried to type out this novel and gave up. It was too dispiriting. I also tried to dictate it using voice recognition software, but I didn't have the patience to train the software and it wasn't expecting the er...gritty nature of my writing. And so the book languishes in an unfinished, unloved, and incomprehensible state. Never again. 2. Not following up on success When I was new to sending work out for publication, I was very bad at following up on success. I'd send a story to a magazine, get an acceptance, and then wait several months before I sent another one. I felt as though I didn't want to bother them again too soon. I know now that what I should have done is immediately write another story and send it in, reminding the editor they'd just accepted a piece from me. In waiting, I let the relationship go cold, so each time I sent in a story, I was starting from scratch. Having a relationship with an editor doesn't mean that they'll accept everything you send, but it often means they give you some feedback if they reject a story, or let you know what kind of material they're short of. Invaluable industry insider information, in other words. 3. Giving up too soon I recently counted up how many full-length novels I've written in total. It came to 15. Four have been published, and another is with a publisher, but that still leaves 10 full length novels (including the monster in long-hand) that are hanging around doing nothing. Some of them are definitely apprentice pieces - novels I wrote to learn how to write novels - and should never see the light of day because they're not meant to. You don't show the world the scribbles you do when you're learning to draw. But some of them are not apprentice pieces and have been sent to agents, publishers or competitions at some point. Where I went wrong was I didn't send them out enough. One novel got great feedback from agents and publishers, though was never published: what I should have done was take heart from this and keep on sending it out until it had been to every single potential publisher or agent. Apparently the book 'The Zen Art of Motorcycle Maintenance' went to 99 agents and publishers, and only went to the final one, which published it, because the author wanted to make it a round 100. Sometimes writing really is a numbers game. 4. Telling other people what I was writing I put my head in my hands when I think of the times I've shared my precious, fragile ideas with someone who then reacted in a sarcastic/ non-committal/ hurtful way and the blasted idea popped and was gone. These people don't have to be your worst enemies, either, they're often the very people who you think would support, encourage and nurture your writing ambitions. Ideas are fresh and full of energy when they're in your head. They're also pretty good once they're on paper and you've rewritten them a few times. But when they come out of your mouth for an audience that doesn't understand, and frankly, has their own issues with your writing, then they fall stone dead. If people ask me about my writing now, I do a little mysterious smile and say, 'It's fine, thanks', then change the subject. They can read it when it's ready (i.e. published). 5. Not resubmitting Similarly to the first point, when I started submitting writing I tended to think if a story or article wasn't taken up by the first magazine I sent it to, then it was rubbish so I abandoned it and wrote something new. When I started entering writing competitions, I found to my astonishment that a story that has gone absolutely nowhere in several small competitions is perfectly capable of winning a big competition, and that if a story is rejected several times it doesn't mean it won't find a place somewhere, some time. I make out an index card for each story I write, including the title, word count, and where I've sent it. This helps me to keep track of where I've sent it. I often also pencil in a number of alternative places to submit it if it gets rejected. This isn't looking on the black side and expecting it to be rejected, but a way of saying to myself that there are plenty of opportunities for each story, and a knock-back doesn't mean the end. Over to you - what's the most important thing you've learned about your writing? Let me know in the comments below.
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I’m planning a new writing project at the moment, and it’s at that delicious stage of quivering on the edge of my consciousness, a blur of colours and half-formed characters; some scenes that are sharp and clear, some that shimmer with possibility, a whole lot more that are just a scrap of intention. While I’m brewing the ideas, I use lots of different stimuli to help the ideas to form – visiting possible locations and taking lots of photographs; acquiring objects that will keep me literally in touch with characters and places; eating and drinking the things my characters eat and drink; and putting together a playlist.
I use my playlist to conjure up a particular period of time or to evoke a place, to create the emotion I'm writing about, or simply to get me in the mood for writing. I asked some writer friends if they also use music, and they all said, yes, they use music to enhance or create mood while they're writing. If you've ever cried listening to Tavener, or found yourself jigging in your seat when Shania Twain comes on the radio, then music could help your writing, too. Imagine your story or novel is being made into a film. What sort of music will be playing in the background at different points? What will be the theme tune for each of your characters? Choose music that moves you, that makes you dance, sing, cry, reflect. Play this while you're writing, or in preparation for a writing session. Music that spooks you, cheers you, or that simply has memories for you is good, as you have an emotional connection with it that will come out in your writing. I like to compile a playlist for each book I write. I have a theme tune for each character, and several pieces that reflect the emotions in different parts of the novel. I also have themes that reflect the way other characters feel about each other. For example, my private eye heroine Eden Grey has the theme tune of Billy Joel's 'She's Always a Woman'. I put all the tracks onto my MP3 player, go out for a long walk with my headphones on, and when I come back my brain is thrumming with the atmosphere of my novel. I find I get into the writing much more easily and the words flow better when I've primed myself with music first. I also like to ask myself what sort of music each of the characters in my books listens to. Do they chill out with some smoky jazz, or get churned up by Beethoven? Finding your characters' musical tastes can get you into their heads, and then their thoughts, desires and fears are only a semiquaver away. What’s on your writing playlist? |
AuthorKim Fleet lives and works in Cheltenham. Her two cats help the creative process by standing on the delete key. 
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